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Saslow, who was also a friend of Dudley’s, marks this era as a shift in the gay liberation movement. “We were becoming acceptable enough that a gay person could have a significant political career, but we also became very aware of how much of a nerve that was touching for conservative people.” “It was, in a sense, the year we debuted on the larger public stage,” says Jim Saslow, a professor of art history at the City University of New York and an early gay activist. And in October 1979, the National March on Washington for Gay and Lesbian Rights took place with roughly 100,000 participants. These years saw Anita Bryant’s homophobic crusade through the “Save Our Children” campaign in 1977, the election and assassination of Harvey Milk in 1978, and the White Night riots the following summer after the lenient sentencing of Milk’s murderer, Dan White. There is a certain electricity to these photos too, as they document a time when LGBT communities were bearing witness to significant cultural change. They present the parade not as a newsworthy spectacle but as a gathering of people making themselves visible at a time when the world at large was not interested in seeing them. As a result, the photographs feel warm and intimate. Unlike much of the publicly available photography taken at the first pride parade in 1970 and those that followed, these images were made not by a disinterested photojournalist but by someone deeply entrenched in the community.
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The circumstances his subjects faced in their daily lives, however, were profoundly different.Ĭourtesy of the Estate of George Dudley and the Leslie-Lohman Museumĭudley made the photos in this collection during pride parades between 19. His images of queer and trans people parading down the streets of Manhattan illustrate an ebullient and joyous atmosphere that feels not too dissimilar from scenes at pride parades today. George Dudley, a photographer and artist who also served as the first director of New York City’s Leslie-Lohman Museum of Gay and Lesbian Art, documented scenes from pride parades in New York City from the late 1970s through the early ‘90s. Pride has come a long way since its more radical origins, when marchers numbered in the thousands, corporations were far from getting the memo and the stakes in general felt higher.īut there is much to be gleaned from remembering how it once was. This week, New York City is hosting WorldPride in celebration of the 50th anniversary of the Stonewall uprising, with an estimated 4 million visitors expected to participate. So I thought: If you're going to screw me over, I'll use you." She helped raise more than $270 million for the cause and her estate - she died in 2011 - continues to fund the ETAF's work, donating 25% of her royalties to the foundation.Amid the flurry of rainbow-laden corporate logos, sponsored events and news items about gay penguins, it is difficult to turn on a television or set foot in public during June without the reminder that it is Pride Month for LGBT and queer people. I wanted to retire, but the tabloids wouldn't let me.
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"I could take the fame I'd resented and tried to get away from for so many years - but you can never get away from it - and use it to do some good. " decided that with my name, I could open certain doors, that I was a commodity in myself - and I'm not talking as an actress," she told Vanity Fair. She was one of the first celebrities to advocate for the cause and co-founded the American Foundation for AIDS Research in 1985 and the Elizabeth Taylor AIDS Foundation in 1991. However, it was her HIV/AIDS activism that gave her icon status.
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The Hollywood star initially gained a gay following in the '50s and '60s thanks to her legendary films and stunning style and grace. Elizabeth Taylor is one of the greatest gay icons because of her glamour, talent and activism.